![]() |
||||||||||||||||
|
HOME PAGE Movie Videos Films by Year Films by Director Films by Actor Films by Actress Films by Alphabet Film Characters Film Franchises TOP 100 MOVIES in 2003! 2013 MOVIES 2012 MOVIES 2011 MOVIES 2010 MOVIES 2009 MOVIES 2008 MOVIES 2007 MOVIES 2006 MOVIES 2005 MOVIES 2004 MOVIES 2003 MOVIES 2002 MOVIES 2001 MOVIES 2000 MOVIES 1999 MOVIES 1998 MOVIES 1997 MOVIES 1996 MOVIES 1995 MOVIES 1994 MOVIES 1993 MOVIES 1992 MOVIES 1991 MOVIES 1990 MOVIES 1989 MOVIES 1988 MOVIES 1987 MOVIES 1986 MOVIES 1985 MOVIES 1984 MOVIES 1983 MOVIES 1982 MOVIES 1981 MOVIES 1980 MOVIES 1979 MOVIES 1978 MOVIES 1977 MOVIES 1976 MOVIES 1975 MOVIES 1974 MOVIES 1973 MOVIES 1972 MOVIES 1971 MOVIES 1970 MOVIES 1969 MOVIES 1968 MOVIES 1967 MOVIES 1966 MOVIES 1965 MOVIES 1964 MOVIES 1963 MOVIES 1962 MOVIES 1961 MOVIES 1960 MOVIES 1959 MOVIES 1958 MOVIES 1957 MOVIES 1956 MOVIES 1955 MOVIES 1954 MOVIES 1953 MOVIES 1952 MOVIES 1951 MOVIES 1950 MOVIES 1949 MOVIES 1948 MOVIES 1947 MOVIES 1946 MOVIES 1945 MOVIES 1944 MOVIES 1943 MOVIES 1942 MOVIES 1941 MOVIES 1940 MOVIES 1939 MOVIES 1938 MOVIES 1937 MOVIES 1936 MOVIES 1935 MOVIES 1934 MOVIES 1933 MOVIES 1932 MOVIES 1931 MOVIES 1930 MOVIES 1929 MOVIES 1928 MOVIES 1927 MOVIES 1926 MOVIES 1925 MOVIES 1924 MOVIES 1923 MOVIES 1922 MOVIES 1921 MOVIES 1920 MOVIES 1919 MOVIES 1918 MOVIES 1917 MOVIES 1916 MOVIES 1915 MOVIES 1914 MOVIES 1913 MOVIES 1912 MOVIES 1911 MOVIES 1910 MOVIES ![]() |
Directed by Clint Eastwood During a summer in 1975, Dave Boyle and two friends, Jimmy and Sean, are playing on a sidewalk in Boston when Dave is abducted by two men and subjected to sexual abuse over a period of several days. Eventually escaping, but haunted into adulthood by his trauma, Dave becomes a primary suspect when Jimmy's daughter, Katie, is found murdered. Sean, assigned to investigate the crime, finds himself facing both demons from the past and demons in the present as the circumstances surrounding Katie's death are uncovered. REVIEW: Legendary actor and director Clint Eastwood has, in his newest movie, “Mystic River,” woven a brilliant tale of crime and drama. This movie succeeds on so many different levels, and it touches on multiple themes, but that which struck me most was its take on friendship and loyalty, and revenge. Three boyhood friends, now in their thirties, are pulled back together, even right back to the old neighborhood, by a horrific crime, and their ties to one another do not make the crime easier to solve and cope with, but instead, their one-time bond stands in the way of resolution. The movie opens with three boyhood friends – Jimmy Markum (Sean Penn), Dave Boyle (Tim Robbins), and Sean Devine (Kevin Bacon) playing ball in the streets of a quiet Boston suburb adjacent to the Mystic River. Dave is kidnapped and brutally raped for four days. His life, and his friends’, are never the same. Already, “Mystic River” has touched on an interesting concept. Everybody, at least at some point, has reflected upon their lives and thought, “what if this had happened,” or “what if this thing hadn’t happened?” Our lives can be defined by an infinite number of possibilities, each life-changing event shaped by the one before it. How much different would Sean, Jimmy and Dave’s lives had been had Dave not been abducted. Or what if it had been Jimmy? This single event became the defining moment of these boys’ lives. Dave wasn’t left with much of a chance for normalcy, so his disturbed personality as an adult struck me as no surprise. The fact that Sean and Jimmy turned out to be such polar opposites, after having shared the exact same traumatic experience, is curious. Jimmy became a gang leader and criminal and even did time, whereas Sean became a respected cop in a classier part of Boston. Jimmy has reformed but there is still a strong edge to him, something that Penn conveys perfectly – that somewhere, deep below the surface, a criminal, a dangerous person, still exists. Jimmy, propelled forward by his anger and unthinkable loss, becomes a loose cannon. Penn is perfect – he always looks like he’s about to explode. As the story unfolds, Jimmy reverts even further back to his days as a criminal. As much as he had changed, married a nice wife (Laura Linney) and ran a local grocery store, Jimmy still had that dark element deep within him, and with his daughter’s brutal murder, Jimmy has become dangerous once again. This is another recurrent theme in many of Eastwood’s projects, especially “Unforgiven.” The idea, I believe, is that as hard as one tries, he can never completely erase his former self. Hint traces will always remain, awaiting to be reborn. In Dave, Tim Robbins portrays another character that is quiet, subdued, turned inward, much like his characters in both “Jacob’s Ladder” and “The Shawshank Redemption.” The big difference in “Mystic River,” however, is that Robbins’ Dave garners little sympathy. He is weird, creepy, and undoubtedly he killed someone that fateful night, we’re just not yet quite sure who. Dave is surprisingly smart and cool too, seen in the interrogation room as he cockily dodges every question. Marcia Gay Harden does an effective job portraying Dave’s wife, Celeste, who must first lie to the police about her husband, and then live with the cold fact that Dave is evidently a killer. Harden’s furled brow, her looks of confusion, fear and indecision, are very believable. Faced with a similar situation, how many of us would protect our love ones, and how many would turn them in? Eastwood now focuses the rest of the film on the theme of revenge. This is another area of Eastwood’s expertise, seen in 1992’s “Unforgiven.” The idea is that a person can be so driven to revenge that he will go through with a violent act no matter what. In “Unforgiven,” it doesn’t matter that Will Munny (Eastwood) has two young kids now. With the murder of his friend, Munny returns to his own murderous ways to avenge the loss. The same can be said of Jimmy in Mystic River. He was once a criminal, a killer, and he’d reformed, but despite the new life he has – a wife, kids – Jimmy must avenge his daughter’s murder, no matter what. We see Jimmy’s ability to be dishonest and deceptive when he is at the riverside, with Dave’s life in his hands. He says repeatedly, “tell me you did it and I won’t hurt you,” tyring to coax a confession from Dave. Of course, the audience can already predict that as soon as Dave confesses, Jimmy’s going to whack him anyway. Mystic River reaches its climax when Jimmy kills Dave and dumps him in the river. In the aftermath, Jimmy comes to the realization that Dave was innocent after all. Moreover, Sean is quite certain that Jimmy has killed Dave, though neither will fully acknowledge it to the other. The theme of loyalty and the strains placed upon friendships are explored again. As Sean struggles with the information, he finally - and despite being an officer of the law – decides not to arrest his old friend. Mystic River grabbed my attention right from the beginning. The dialogue was sharp, emotional and intense. The setting was bleak – a lower-middle class neighborhood set against gray skies. Most of the characters even wore outfits that matched this overall dark mood of the story. I found myself angered during the movie, angered that someone had killed this young girl so brutally, and I wanted to see Jimmy’s revenge. This was Jimmy’s story, and for him, once his daughter was killed, the entire story become one of grief and vengeance. I always enjoy movies whose themes include revenge. This is probably why I enjoy crime and gangster movies so much. There are two kinds of reactions to an event like the one that happened to Jimmy – we either roll over and do nothing, or we get our revenge. Fortunately, most people never need to find out which reaction they’d have. I wonder, too, if Jimmy had never known that Dave wasn’t actually the killer, if his revenge would have still been as rewarding. Actually, I think it would have been. In his mind, he’d killed his daughter’s killer, and that’s all he needed to know. The same idea is touched on in “Memento” – if you cannot remember getting your revenge, then what’s the point? Clint Eastwood’s “Mystic River” is an intense, stylish adult drama, written and directed very intelligently. For fans of Eastwood, or of the genre, or of the themes of revenge and loyalty, “Mystic River” is worth seeing.
Return from MYSTIC RIVER to home page |
|||||||||||||||