![]() |
|||||||||||||||
|
HOME PAGE Movie Videos Films by Year Films by Director Films by Actor Films by Actress Films by Alphabet Film Characters Film Franchises TOP 100 MOVIES in 2005! 2013 MOVIES 2012 MOVIES 2011 MOVIES 2010 MOVIES 2009 MOVIES 2008 MOVIES 2007 MOVIES 2006 MOVIES 2005 MOVIES 2004 MOVIES 2003 MOVIES 2002 MOVIES 2001 MOVIES 2000 MOVIES 1999 MOVIES 1998 MOVIES 1997 MOVIES 1996 MOVIES 1995 MOVIES 1994 MOVIES 1993 MOVIES 1992 MOVIES 1991 MOVIES 1990 MOVIES 1989 MOVIES 1988 MOVIES 1987 MOVIES 1986 MOVIES 1985 MOVIES 1984 MOVIES 1983 MOVIES 1982 MOVIES 1981 MOVIES 1980 MOVIES 1979 MOVIES 1978 MOVIES 1977 MOVIES 1976 MOVIES 1975 MOVIES 1974 MOVIES 1973 MOVIES 1972 MOVIES 1971 MOVIES 1970 MOVIES 1969 MOVIES 1968 MOVIES 1967 MOVIES 1966 MOVIES 1965 MOVIES 1964 MOVIES 1963 MOVIES 1962 MOVIES 1961 MOVIES 1960 MOVIES 1959 MOVIES 1958 MOVIES 1957 MOVIES 1956 MOVIES 1955 MOVIES 1954 MOVIES 1953 MOVIES 1952 MOVIES 1951 MOVIES 1950 MOVIES 1949 MOVIES 1948 MOVIES 1947 MOVIES 1946 MOVIES 1945 MOVIES 1944 MOVIES 1943 MOVIES 1942 MOVIES 1941 MOVIES 1940 MOVIES 1939 MOVIES 1938 MOVIES 1937 MOVIES 1936 MOVIES 1935 MOVIES 1934 MOVIES 1933 MOVIES 1932 MOVIES 1931 MOVIES 1930 MOVIES 1929 MOVIES 1928 MOVIES 1927 MOVIES 1926 MOVIES 1925 MOVIES 1924 MOVIES 1923 MOVIES 1922 MOVIES 1921 MOVIES 1920 MOVIES 1919 MOVIES 1918 MOVIES 1917 MOVIES 1916 MOVIES 1915 MOVIES 1914 MOVIES 1913 MOVIES 1912 MOVIES 1911 MOVIES 1910 MOVIES ![]() |
Cast: Jonathan Reyes Meyers, Scarlett Johansson, Emily Mortimer, Mathew Goode, Brian Cox, Penelope Wilton At a turning point in his life, a former tennis pro falls for a femme-fatal type who happens to be dating his friend and soon-to-be brother-in-law. CLICK HERE and watch TV SHOWS FOR FREE! REVIEW: An absorbing and hypnotic film that draws you in from start to finish through its taut suspenseful plot and compelling twists, Match Point is one of Woody Allen’s smartest films on the level of a Hitchcock thriller. In a rare break from most of his work, Woody sets his picture in London as opposed to his beloved New York City, which has provided the background for many of his pictures. But his new location provides a fresh take on Woody’s style of filmmaking and the characters feel part of their environment and the actors do a splendid job of following Woody’s unique yet distinct dialogue and writing.
The film focuses on various themes such as lust, passion, honesty and most notably, the idea of luck. The film follows a womanizer named Chris Wilton who feels trapped in a opulent world where he is tied down to his wife Chloe played by British beauty Emily Mortimer. However despite his feelings on confinement it’s not necessarily a life he seeks to abandon and his resolve is tested in the form of an American beauty, Nola, played by the sexy Scarlett Johansson. Scarlett Johansson has yet to play a role where she distinguishes herself in films. That’s not jab at her talent as an actress but there has yet to be a film that challenges her. However Woody is able to bring about a different side of Scarlett she has yet to use in her films and here she does a terrific job playing a sultry, possessive yet vulnerable woman who ignites an illicit affair with Chris. He film triumphs particularly with its unexpected and well done twist that are not only engaging but an understandable decision by certain characters, although you may not like them. Meyers is excellent as a smooth talking savvy charmer which only masks his insecure and dark nature. His character deals the most with luck and the ending provides an outcome no one saw coming, all in the name of luck, or rather chance.
Woody examines the notion that nothing is really in our control no matter how hard we try to make it so, however, that doesn’t mean people aren’t going to try. The desperation of certain characters in the film us a testament to that idea. Woody does an exceptional job of fleshing out real characters that are not a reflection of his neurotic persona but are rather complete individuals that are distinct from the ones he usually explores in his films.
The film also explores the influences of vices such as lust and greed which are dominating factors over certain characters such as Chris and Nola. Those vices lead to irrational decisions causing only more suffering to them and potentially those around them. Woody shows both the cause and effects ones those decision are put into play and what he delivers is a suspenseful and captivating tale.
Alfred Hitchcock was the master of suspense not simply because he used it in his films but it was the way he used it. He gradually built the tension with the looming suspense over every word of dialogue uttered, over every quiet moment; he was a master a manipulating suspense to his benefit and Woody Allen does the same here. Match Point is a psychological thriller with enough twists and complex characters that you’ll be entertained throughout this remarkable and smart film.
|
||||||||||||||