![]() |
||||||||||||||
|
HOME PAGE Movie Videos Films by Year Films by Director Films by Actor Films by Actress Films by Alphabet Film Characters Film Franchises TOP 100 MOVIES in 2008! 2013 MOVIES 2012 MOVIES 2011 MOVIES 2010 MOVIES 2009 MOVIES 2008 MOVIES 2007 MOVIES 2006 MOVIES 2005 MOVIES 2004 MOVIES 2003 MOVIES 2002 MOVIES 2001 MOVIES 2000 MOVIES 1999 MOVIES 1998 MOVIES 1997 MOVIES 1996 MOVIES 1995 MOVIES 1994 MOVIES 1993 MOVIES 1992 MOVIES 1991 MOVIES 1990 MOVIES 1989 MOVIES 1988 MOVIES 1987 MOVIES 1986 MOVIES 1985 MOVIES 1984 MOVIES 1983 MOVIES 1982 MOVIES 1981 MOVIES 1980 MOVIES 1979 MOVIES 1978 MOVIES 1977 MOVIES 1976 MOVIES 1975 MOVIES 1974 MOVIES 1973 MOVIES 1972 MOVIES 1971 MOVIES 1970 MOVIES 1969 MOVIES 1968 MOVIES 1967 MOVIES 1966 MOVIES 1965 MOVIES 1964 MOVIES 1963 MOVIES 1962 MOVIES 1961 MOVIES 1960 MOVIES 1959 MOVIES 1958 MOVIES 1957 MOVIES 1956 MOVIES 1955 MOVIES 1954 MOVIES 1953 MOVIES 1952 MOVIES 1951 MOVIES 1950 MOVIES 1949 MOVIES 1948 MOVIES 1947 MOVIES 1946 MOVIES 1945 MOVIES 1944 MOVIES 1943 MOVIES 1942 MOVIES 1941 MOVIES 1940 MOVIES 1939 MOVIES 1938 MOVIES 1937 MOVIES 1936 MOVIES 1935 MOVIES 1934 MOVIES 1933 MOVIES 1932 MOVIES 1931 MOVIES 1930 MOVIES 1929 MOVIES 1928 MOVIES 1927 MOVIES 1926 MOVIES 1925 MOVIES 1924 MOVIES 1923 MOVIES 1922 MOVIES 1921 MOVIES 1920 MOVIES 1919 MOVIES 1918 MOVIES 1917 MOVIES 1916 MOVIES 1915 MOVIES 1914 MOVIES 1913 MOVIES 1912 MOVIES 1911 MOVIES 1910 MOVIES ![]() |
Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room she needs to be invited. Eli gives Oskar the strength to hit back but when he realizes that Eli needs to drink other people's blood to live he's faced with a choice. How much can love forgive? Let The Right One In is a story both violent and highly romantic, set in the Stockholm suburb of Blackeberg in 1982. CLICK HERE and watch 2009 MOVIES FOR FREE! REVIEW: Winning Best Foreign Film at numerous film festivals around the world, it’s no wonder how the Swedish romantic-horror film Let The Right One In (dir. Tomas Alfredson) has received so much critical acclaim, as well as given Hollywood the rights to remaking it, shortly after it’s release. The narrative of the film is character-driven by the two protagonists, with the film showing both Oskar’s (Kare Hederbrant) and Eli’s (Lina Leandersson) private lives and how that affects their relationship every time they meet each other. The director’s choice of the story being told through the camera for most of the film was a daring move, but one which fits with the way the children are trying to express their emotions for one another in such an awkward way. Despite the lack of dialogue mainly being used for the secondary characters, Oskar and Eli do express emotionally to each other through speech over the course of the film and this is used as a device for the audience to know that the individual lives they have are being intertwined and share a closer relationship.
Some foreign films seem to make the horror films very poetic and beautifully crafted. The film uses it’s colours and locations to make a very cold atmosphere and reflects from both the lives of the children and the small group of adults who are trying to find out who killed their friend in the miserable situation. But with the story also being a romantic genre as well, the locations are chosen in an isolated area so the attention can focus more on the two main characters when they appear on screen together and helps to make their relationship appear more special The make up and special effects used in the film are very well done and stick to the beauty of the film well, considering the effects were used to show the horrific incidents to match the film’s visuals. Computer special effects in the film are not as good as most Hollywood films and appear quite corny, but the blood effects are used to a great degree to show the film’s graphic nature. Overall, Let The Right One In is probably one of the best romantic films with it’s unrushed pace and blend of horror to show the dangers of attraction for the main characters. One of the best and most beautifully crafted films to be released in modern cinema.
|
|||||||||||||