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Kill the Batman
by Daren Foster

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KILL THE BATMAN - The writer explains where his is coming from in this RADIO INTERVIEW of the column - turn on the volume if you're angry or just want to listen to some good entertainment!

Zlonk KILL THE BATMAN
By Daren Foster

Summer draws to a close. The nights grow chillier and get darker sooner. Is that a hint of colour in those leaves? There is talk of pennant races. That was Labour Day I just caught in the rear-view mirror, wasn’t it. Damn. Playtime’s over.

I guess I have to roll up my sleeves, put my nose to the grindstone and start acting like an adult again. Hunker down and return to doing stuff grown-ups do like watching TV and going to the movies. Ahh, the burden of responsibility is sometimes too much to bear.

After a period of semi self-imposed exile, I decided that it was time to wade back into the pop culture waters that I have swum in for too many years to count. Living high-and-dry for awhile had been refreshing, invigorating even, but like all novel things, the zazz of it couldn’t last. Like Grease’s Danny Zuko and Sandy Olsson, a summer fling couldn’t translate into a long-term relationship. (It turned colder--that’s where it ends/I told her we’d still be friends). Or could it? There, that feels better.

Traveling off the beaten path might make for an easy transition back into real life. A low key flick to stimulate the critical juices and knock off the mental rust would do the trick. Something crisp, fresh and challenging without being too taxing.

The Dark Knight. Apparently, it’s generated a little bit of buzz over the last couple months. Maybe a couple of you have seen it.

For those who haven’t, allow me to provide a quick synopsis. An obscenely wealthy man who watched the brutal murder of his parents dresses up in a bat suit and patrols the night time streets of Gotham--

With the gazillion dollars this thing has made, there is now officially no end in sight to the comic book trend in Hollywood, is there. We are doomed to an unrelenting wave of genetically mutated men in capes and tights saving a world that doesn’t deserve to be saved from crazed villains with scarred psyches bearing a serious misanthropic grudge. Sequels, prequels, Begins and Returns, ad infinitum, ad nauseam, amen.

Not that there’s anything wrong with that, in principle. Popcorn

pictures have been the tent pole propping up the American film industry pretty well from the get-go. Escapist fare. Swashbuckling adventures. Cowboys and Indians. Creatures from outer space. Men of Steel. Your Douglas Fairbanks’s, both Sr. and Jr., Errol Flynn, Tom Mix, Randolph Scott. Movies that were a feast for the eyes and easy on the brain. Nothing more challenging than.. well, sitting your ass down on a cushy seat, stuffing your face with over-priced confectionary and staring up at a giant screen, hoping for just a few glorious moments of ooohing and aaahing.

Apparently nowadays purveyors of pulp aren’t happy simply entertaining the masses. They want to be taken seriously, mixing high gloss pyrotechnics with high-minded artistic sensibilities; equal parts Michael Bay and Ingmar Bergman. Not content with big bucks and fawning adoration, they want MoMA retrospectives to boot.

Well, listen up, ladies and gentlemen. In the immortal words of Irving Mills (lyrics by Duke Ellington), It Don’t Mean a Thing (If It Ain’t Got That Swing). Wallowing in the infants’ wading pool will not earn you a spot in the final heat of the 100m Backstroke. Comic book heroes beget comic book themes. If I want Dostoevsky, I’ll read Dostoevsky. When I go to see Batman, I want to see lots of punching, kicking, flying, blowing up, screamingly loud machinery, punching.. Did I say ‘punching’ already?

What I do not want when I go to see Batman is a bunch of philosophizing and theorizing, especially of the sophomoric, I-just-read-Ayn-Rand kind. The Dark Knight is a summer blockbuster and all that entails. It is not a grad school dissertation. If it were, it’d be laughed out of the committee room. Brawn not brains is the franchise’s meat and potatoes. That’s nothing to be ashamed of. The fact the filmmakers don’t accept this is the shameful aspect. Fairbanks

The Dark Knight is a full-blown post-9/11 movie and is not shy in exploiting the fact. One of the earliest shots has the camera zooming in on a collision course with a towering skyscraper, only to have the windows explode outward just at the moment of impact as the bad guys are actually inside the building rather than outside, flying a plane into it. This should’ve served as a warning that the film was going to brazenly raise the spectre of 9/11 without seriously addressing any of its wider implications.

Structurally, The Dark Knight is just a successive series of ticking bomb scenarios. You know the old trope apologists of torture use to justify the practice. If someone knows the location of a bomb that is going to explode and kill thousands of people, it’s OK to torture them to get the information and save everyone. Sound familiar? Batman worries about the kind of vigilante he’ll become if he tortures The Joker but while he’s in custody, Batman beats the crap out of him anyway -- to only moderate success. Sound familiar? I didn’t want to get my hands dirty but the bad guy left me no choice.Duke Ellington

Ditto illegal wiretapping. Only if we use it to protect people. And only the once. You want a penetrating explanation of why bad guys do the bad things they do? Because some people just want to see the world burn don’t you know. Because they’re c-r-a-z-y. (Try saying that without the Homer Simpson inflection.)

Just by bringing up such topical and salient ideas, those responsible for this take on Batman want to be invited to sit at the grown-up’s table. You see, this isn’t just any old comic book movie. The thing is, you can teach a parakeet to say the words terrorism, surveillance, anarchy but if you demand a full-fledged definition from the bird, well, that would just be silly.Hamlet

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So enough already, ruining perfectly fluffy superhero movies with weak-assed intellectual posturing, stopping the action dead to wax inelegantly about the nature of good versus evil. We get it already! comic books are aimed at 12 year-old boys not the white towers of academia. For my 13 bucks, I want more of the Kapow!! Bam!! And Zap!! from The Dark Knight and a whole lot less of the pseudo-Hamlet dithering and pontificating. You’re not Shakespeare, not even bad Shakespeare. You’re the Batman. Act like it.
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READ MORE COLUMNS BY DAREN FOSTER

September 1 2008 - MY SUMMER VACATION

August 25 2008 - PHONING IT IN

August 18 2008 - GUNGA GULUNGA

August 11 2008 - EMMY DAZE - Where is The Wire

August 4 2008 - ME TALK GOOD

July 28 2008 - TAKE THE CANNOLI

July 21 2008 - TECHNO BEAT 2

July 14 2008 - TECHNO BEAT 1

July 7 2008 - THE INDIGESTIBLE HULK

June 30 2008 - KING GEORGE

June 23 2008 - PLAYING ONE ON TV

June 16 2008 - NEW MONDAY MORNING COLUMN - LIFE IS TOO SHORT - Finally, I saw the last episode of The Wire.

June 4 2008 - FLIP THIS CHANNEL - Buying first house leads to having many things on the mind.

May 29 2008 - BE AFRAID VERY AFRAID - The Canadian military is no longer some namby-pamby, truce-brokering, do-gooding, adventure-seeking, peacekeeping bunch of pacifiers

May 22 2008 - STONE COLD BORING ANGEL - All about The Stone Angel

May 15 2008 - HARD TO SWALLOW CANDY - Madonna is back!

May 8 2008 - THE DUMBEST GUYS IN THE ROOM

May 1 2008 - AN ARRESTING DEVELOPMENT

April 24 2008 - Just TWEEN you and me

April 17 2008 - A Day at the Movies

April 10 2008 - Stop the (March) Madness!

April 3 2008 - Heaven's Gate Revisited

March 27 2008 - ACTING OUT - A great actor working with sub-par material

March 20 2008 - TECHNO ROBBER BARONS - When daylight savings time ruins my taping of The Wire

March 13 2008 - DAMN AGES - Growing up is hard to do

March 6 2008 - CULT OF SADNESS PART 2 - How tearjerkers still baffle me!

February 28 2008 - CULT OF SADNESS - How tearjerkers baffle me!

February 21 2008 - SOME TV SHOULD STAY STRUCK - post strike TV now!

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