![]() |
||||||||||||||||
|
HOME PAGE Movie Videos Films by Year Films by Director Films by Actor Films by Actress Films by Alphabet Film Characters Film Franchises TOP 100 MOVIES in 2001! 2013 MOVIES 2012 MOVIES 2011 MOVIES 2010 MOVIES 2009 MOVIES 2008 MOVIES 2007 MOVIES 2006 MOVIES 2005 MOVIES 2004 MOVIES 2003 MOVIES 2002 MOVIES 2001 MOVIES 2000 MOVIES 1999 MOVIES 1998 MOVIES 1997 MOVIES 1996 MOVIES 1995 MOVIES 1994 MOVIES 1993 MOVIES 1992 MOVIES 1991 MOVIES 1990 MOVIES 1989 MOVIES 1988 MOVIES 1987 MOVIES 1986 MOVIES 1985 MOVIES 1984 MOVIES 1983 MOVIES 1982 MOVIES 1981 MOVIES 1980 MOVIES 1979 MOVIES 1978 MOVIES 1977 MOVIES 1976 MOVIES 1975 MOVIES 1974 MOVIES 1973 MOVIES 1972 MOVIES 1971 MOVIES 1970 MOVIES 1969 MOVIES 1968 MOVIES 1967 MOVIES 1966 MOVIES 1965 MOVIES 1964 MOVIES 1963 MOVIES 1962 MOVIES 1961 MOVIES 1960 MOVIES 1959 MOVIES 1958 MOVIES 1957 MOVIES 1956 MOVIES 1955 MOVIES 1954 MOVIES 1953 MOVIES 1952 MOVIES 1951 MOVIES 1950 MOVIES 1949 MOVIES 1948 MOVIES 1947 MOVIES 1946 MOVIES 1945 MOVIES 1944 MOVIES 1943 MOVIES 1942 MOVIES 1941 MOVIES 1940 MOVIES 1939 MOVIES 1938 MOVIES 1937 MOVIES 1936 MOVIES 1935 MOVIES 1934 MOVIES 1933 MOVIES 1932 MOVIES 1931 MOVIES 1930 MOVIES 1929 MOVIES 1928 MOVIES 1927 MOVIES 1926 MOVIES 1925 MOVIES 1924 MOVIES 1923 MOVIES 1922 MOVIES 1921 MOVIES 1920 MOVIES 1919 MOVIES 1918 MOVIES 1917 MOVIES 1916 MOVIES 1915 MOVIES 1914 MOVIES 1913 MOVIES 1912 MOVIES 1911 MOVIES 1910 MOVIES ![]() |
A brother and sister on spring break from college decide to take the scenic route home--an endless, desolate stretch of road through central Florida. Along the way they are run off the road by a strange truck, and later they see its driver disposing of what looks like a human body down a drainpipe near an old church. Derry (Justin Long) convinces his older sister, Trish (Gina Phillips), that they have to investigate, and despite all better judgment, they do. CLICK HERE and watch 2009 MOVIES FOR FREE! REVIEW: This is most defiantly a great modern day throw back to the Universal Monsters of the cinema past. Justin Long and Gina Philips give wonderful believable performances that convince you they’re not as idiotic as their actions. That is a powerful acting job because in order to keep the film moving and stay a horror film, you need to follow some of the age old clichés. It’s only when the film gets midway thru that it changes it’s mind as to what it would like to be. The Story: It’s wonderfully structured in the pacing sense. There’s no rushing going on and Salva lets the story unfold by the characters actions instead of driving to some “great scene” that is unjustified. By doing this, even with it’s shortcomings, the film reaches an emotional climax where you’re rooting for a character to survive unscathed. Something hard to find in modern horror = characters you actually care about. The only major problem with the film comes from the u-turn characterization of the Creeper. At first he’s some physco with an old truck, possibly a cannibal. Then, he’s a mysterious serial murderer who stores dead bodies in the basement of a church. Then he’s a possible cannibal again. Then he’s a decaying body, almost like a demon possessed zombie. Then he’s a giant monster with bat like wings. I’m all for a mysterious entity that we don’t know much about and are only giving the audience tidbits of what he could be and letting them draw their own conclusions on him. The problem here is, there is no way to distinguish this character of the Creeper as one simple thing. He’s part human, part murderer, part cannibal, part corpse, part monster. It’s just overly complex when it’s really simplistic things that scare audiences the most. If you catch the movie ½ way thru, it works. If you stop ½ way through it works. But if you watch from start to finish you find yourself scratching your head at the contradictory aspects of the monster. Cinematography: I love it. Something hard to find these days is a horror film shot on 35mm in 2:35:1. I know that’s a head scratchier, but it’s true. Horror films are made for dirt cheap and there is little exception…except here. The colors are never over stylized and while it’s obvious some things were darkened in post, the lighting used in the scenes is effective and consistent. A well done job in my opinion. Production Design: Old school at some points and new school at some points. It works consistently throughout the film and I love the design of the creeper. Monster suits kick the crap over CGI any day of the week. Editing: The story’s pace is well done, but I do feel the pacing scene by scene was a little slow. But overall it works because if it had been faster then it would have further hindered the over complexity of the Creeper and people would not be as tolerant as they already are. So the fault really falls on the story of it and not the editor. Score: Very creepy. It’s effective. This is one of the few horror scores that doesn’t just try to be scary, but, as the title implies, creepy. It has an excitement factor to it when it needs to and that really lends itself to the emotional advances in the storytelling. Special Effects: Again, effective. The CGI is only used when needed, and that works best at a distance. The shots of the creeper flying around are the perfect time to use it. And the rest of the time there’s a guy in a monster suit and make up. That’s how you juggle CGI effectively in my opinion.
In closing: Jeepers Creepers is not the perfect homage to horror films that it tries to be. It’s tries too hard to juggle to many nods in the end. But if you’re a horror fan and can look at it for what it is and enjoy two halves of the movie with the same characters being different things then it’ll be alright. If you’re looking for the straight up monster incarnation, and the better film, look to the sequel. It’s one of the better horror sequels of all time in my opinion. But this movie broke barriers in it’s approaches and yes, you should applaud the attempt without the complete success.
|
|||||||||||||||